I've made movies that I thought were okay, but then I was very good. And sometimes you're in a movie and you think, 'I wish more people saw that' - because you're good. And it just works out that the movie gets lost. But that's show business.

Both my parents had heavy accents, and so did everybody they knew. It's a rhythm thing - people who speak English where they have to hesitate and think of the right word. And I think it rubbed off.

I think that sometimes when they see me in a movie they expect me to be something nasty. I mean, I play a lot of villains and you show up and they think maybe... That's why it's good to defy expectations sometimes.

I feel like you are this or that because other people say so. I wouldn't know how to play a psychopath. I don't think about it that way. You think about playing the scene but if the other people say that guy is crazy, then you are.

I tend to play mostly villains and twisted people. Unsavory guys. I think it's my face, the way I look.

You hear about things happening to people - they slip in the bathtub, fall down the stairs, step off the curb in London because they think that the cars come the other way - and they die. You feel you want to die making an effort at something; you don't want to die in some unnecessary way.

And I think that when I play these villains, maybe what is different is that the audience sees me play these and they know that that's Chris and he's having fun and he knows that and he knows that and you know that and everybody knows that.

People think that my favorite roles to do are villains, but I find comedy to be the most challenging and rewarding.

Too many young actors are strutting about and doing films without having developed some of the depth you need to bring off certain kinds of roles. I think that's the problem with the system, where a lot of younger actors who haven't had a chance to develop suddenly become stars.