And here's to the blues, the real blues— where there's a hint of hope in every cry of desperation.

The music echoes in the emptiness. It reminds us where we came from and where we’re bound.

We start our lives with blues . . . with music. It's our first language. It's the rhythm of the womb. It's your mama's heartbeat inside your head.

There’s something lyrical about an eternal truth. It’s a graceful riff. A free-flowing melody. Light and airy, it floats all around you. And when it lands on your ears, when you hear it for the first time, you instantly recognize it― because it’s like bumping into an ageless, best friend.

You hear lots of notes, don’t you? Some have a major sound. Some have a minor sound. But there’s not one blue note among all these black and white keys. The real blues, the soul of the sound, comes from the spaces in-between.

And a ride in a hearse tells us we’re all close to that final cruise . . . when the body dies and we move on. It’s just the body, man. It’s just the body. The soul’s already gone. So don’t be afraid of a dead body absent a soul. It’s empty, man. No resident. What you need to worry about is a living body that’s lost its soul. Now that is scary, man.” - Funk N. Wagnalls, owner of the Grim Reapers auto lot, a character in Professor Brown Shoes Teaches the Blues.

I've never met God, but I've heard the blues.