Photographing a culture in the here and now often means photographing the intersection of the present with the past.

Slow down, take time, allow yourself to be wildly diverted from your plan. People are the soul of the place; don't forget to meet them and enjoy their company as you explore a place.

Anyone can take a picture of poverty; it’s easy to focus on the dirt and hurt of the poor. It’s much harder—and much more needful—to pry under that dirt and reveal the beauty and dignity of people that, but for their birth into a place and circumstance different from our own, are just like ourselves. I want my images to tell the story of those people and to move us beyond pity to justice and mercy.

You are responsible for every element within the frame.

A photograph can communicate a couple things— and sometimes only one thing—very well. The more you try to say with your photograph, the greater the chance that you will say nothing at all.

As long as we’re alive and interacting with life, the world, and the people around us, we’ll have something to say.

The cliché comes not in what you shoot but in how you shoot it.

A representational photograph says, 'This is what Vienna looked like.' An interpretational photograph goes one better and says, 'This is what Vienna was like. This is how I felt about it.

It’s the difference between your wife’s passport photograph and the portraits you took when you gotengaged. Both may have been created with similar technology, but what stands in that great gulf between them are the passion you have for your wife, the knowledge you have of her personality, and your willingness to use your craft, time, and energy to express that. One says, “She looks like this.” The other says, “This is who she is to me. It’s how I feel about her. See how amazing she is?