What people really want in the theater is fantasy involvement and not reality involvement.

My sense of reality and logic is different from most people's.

Being different is ... interesting; there's nothing implicitly inferior or superior about it. Great difference, of course, produces natural caution; and if the differences are too extreme ... well, then, reality tends to fade away.

In rehearsals I get so completely wrapped up with the reality that's occurring on stage that by the time the play has opened I'm not usually quite as aware of the distinctions between what I'd intended and the result. There are many ways of getting the same result.