Edward Gibbon, in his classic work on the fall of the Roman Empire, describes the Roman era's declension as a place where "bizarreness masqueraded as creativity.

The nations, and the sects, of the Roman world, admitted with equal credulity, and similar abhorrence, the reality of that infernal art [witchcraft], which was able to control the eternal order of the planets, and the voluntary operations of the human mind. . . . They believed, with the wildest inconsistency, that this preternatural dominion of the air, of earth, and of hell, was exercised, from the vilest motives of malice or gain, by some wrinkled hags and itinerant sorcerers, who passed their obscure lives in penury and contempt.

A warlike nation like the Germans, without either cities, letters, arts, or money, found some compensation for this savage state in the enjoyment of liberty. Their poverty secured their freedom, since our desires and our possessions are the strongest fetters of despotism.

Ignorant of the arts of luxury, the primitive Romans had improved the science of government and war.

The science of the church is neglected for the study of geometry, and they lose sight of Heaven while they are employed in measuring the earth. Euclid is perpetually in their hands. Aristotle and Theophrastus are the objects of their admiration; and they express an uncommon reverence for the works of Galen. Their errors are derived from the abuse of the arts and sciences of the infidels, and they corrupt the simplicity of the gospel by the refinements of human reason.

The Gauls were endowed with all the advantages of art and nature; but as they wanted courage to defend them, they were justly condemned to obey, and even to flatter, the victorious Barbarians, by whose clemency they held their precarious fortunes and their lives.

In this primitive and abject state [of hunters and gatherers], which ill deserves the name of society, the human brute, without arts or laws, almost without sense or language, is poorly distinguished from the rest of the animal creation.

The progress of manufactures and commerce insensibly collects a large multitude within the walls of a city: but these citizens are no longer soldiers; and the arts which adorn and improve the state of civil society, corrupt the habits of the military life.

The active, insatiate principle of self-love can alone supply the arts of life and the wages of industry; and as soon as civil government and exclusive property have been introduced, they become necessary to the existence of the human race.