To consult the rules of composition before making a picture is a little like consulting the law of gravitation before going for a walk.

I feel towards persons as I do towards art, — constructively. Find all the good first. Judge by what has been done, — not by omissions or mistakes. And look well into oneself! A life can well be spent correcting and improving one’s own faults without bothering about others.

Modern Art is being used to index me. Surely it was a source but photographers have influenced Modern Art quite as deeply as they have been influenced, maybe more. Anyway painters don't have a copyright on M. A. We were all born in the same upheaval.

As great a picture can be made as one's mental capacity-no greater. Art cannot be taught; it must be self-inspiration, though the imagination may be fired and the ambition and work directed by the advice and example of others.

When a photographer masters the tools and processes of the art, then the quality of the work is only limited by his creative vision.

Art is based on order. The world is full of 'sloppy Bohemians' and their work betrays them.

In common with other artists the photographer wants his finished print to convey to others his own response to his subject. In the fulfillment of this aim, his greatest asset is the directness of the process he employs. But this advantage can only be retained if he simplifies his equipment and technic to the minimum necessary, and keeps his approach from from all formula, art-dogma, rules and taboos. Only then can he be free to put his photographic sight to use in discovering and revealing the nature of the world he lives in.

The prejudice many photographers have against colour photography comes from not thinking of colour as form. You can say things with colour that can't be said in black and white... Those who say that colour will eventually replace black and white are talking nonsense. The two do not compete with each other. They are different means to different ends.