The bruise on the heart which at first feels incredibly tender to the slightest touch eventually turns all the shades of the rainbow and stops aching. We forget about it. We even forget we have hearts until the next time. And then we wonder how we ever could have forgotten. We think this one is better, because, in fact, we cannot fully remember the time before.

There is this tendency to think that if you could only find the magic way, then you could become a poet. "Tell me how to become a poet. Tell me what to do." . . . What makes you a poet is a gift for language, an ability to see into the heart of things, and an ability to deal with important unconscious material. When all these things come together, you're a poet. But there isn't one little gimmick that makes you a poet. There isn't any formula for it.

Every time I catch myself saying, "Oh no, you shouldn't try that," I think, "Yes, I should."

I don't think that sex necessarily produces intimacy.

When I sit down at my writing desk, time seems to vanish. I think it's a wonderful way to spend one's life.

They keep saying the right person will come along. I think mine got hit by a truck.

Most sex doesn't really bring people together. You have to reach a certain level of connection, I think, and that's pretty rare.

I think a lot of people, when they read about a woman who acknowledges her sexuality and her feelings, get really scared. They say they want to be fearless, but in reality they're terrified. If they acknowledge their deepest feelings, they might have to change their lives.

I think that the joy of writing a novel is the self-exploratio n that emerges and also that wonderful feeling of playing God with the characters. When I sit down at my writing desk, time seems to vanish. ... I think the most important thing for a writer is to be locked in a study.