I took you out to dinner to warn you of charm. I warned you expressly and in great detail of the Flyte family. Charm is the great English blight. It does not exist outside these damp islands. It spots and kills anything it touches. It kills love; it kills art; I greatly fear, Charles, it has killed you.' [Anthony Blanche to Charles Ryder]

But I had no patience with this convent chatter. I had felt the brush take life in my hand that afternoon; I had had my finger in the great, succulent pie of creation. I was a man of the Renaissance that evening- of Browning's renaissance. I, who had walked the streets of Rome in Genoa velvet and had seen the stars through Galileo's tube, spurned the friars, with their dusty tomes, and their sunken, jealous eyes and their crabbed hair-splitting speech.

You could appreciate the beauty of the world by trying to paint it.

The Welsh are the only nation in the world that has produced no graphic or plastic art, no architecture, no drama. They just sing. Sing and blow down wind instruments of plated silver.

Charm is the great English blight. It does not exist outside these damp islands. It spots and kills anything it touches. It kills love; it kills art; I greatly fear, my dear Charles, it has killed you.

Properly understood, style is not a seductive decoration added to a functional structure; it is of the essence of a work of art. The necessary elements of style are lucidity, elegance, and individuality; these three qualities combine to form a preservative which ensures the nearest approximation to permanence in the fugitive art of letters.

Beerbohm was a genius of the purest kind. He stands at the summit of his art.