I could go on like this forever, but would I ever find a place that was meant for me? Like, for example, where? After lengthy considerations, the only place I could think of was the cockpit of a two-seater Kamikaze torpedo-plane. Of all the dumb ideas. In the first place, all the torpedo-planes were scrapped thirty years ago

When I wake up, my pillow’s cold and damp with tears. But tears for what? I have no idea.

I can't build a simple shelf. I have no idea how to change an oil filter on a car. I can't even stick a stamp on an envelope straight. And I'm always dialling the wrong number. But I have come up with a few original cocktails that people seem to like.

Hatsumi had a pretty good idea that Nagasawa was sleeping around, but she never complained to him. She was seriously in love with him, but she never made demands. 'I don't deserve a girl like Hatsumi,' Nagasawa once said to me. I had to agree with him.

Each day the sun would rise and set, the flag would be raised and lowered. Each Sunday I would have a date with my dead friend’s girl. I had no idea what I was doing or what I was going to do.

Sometimes I feel so- I don’t know - lonely. The kind of helpless feeling when everything you’re used to has been ripped away. Like there’s no more gravity, and I’m left to drift in outer space with no idea where I’m going’ Like a little lost Sputnik?’ I guess so.

It is however, difficult to make your narratives relative by yourself. A novelists' work is to provide models to make your narratives relative. If you read my novels then you may feel, "I have the same experience as this narrative", or "I have the same idea as this novel". It means that your narrative and mine sympathize, concord and resonate together.