I myself, as I’m writing, don’t know who did it. The readers and I are on the same ground. When I start to write a story, I don’t know the conclusion at all and I don’t know what’s going to happen next. If there is a murder case as the first thing, I don’t know who the killer is. I write the book because I would like to find out. If I know who the killer is, there’s no purpose to writing the story.

Like most novelists, I like to do exactly the opposite of what I'm told. It's in my nature as a novelist. Novelists can't trust anything they haven't seen with their own eyes or touched with their own hands. (Jerusalem Prize acceptance speech, JERUSALEM POST, Feb. 15, 2009)

Your readers have seen a sky with one moon in it any number of times, right? But I doubt they've seen a sky with two moons in it side by side. When yoy introduce things that most readers have never seen before into a piece of fiction, you have to describe them with as much precision and in as much detail as possible. What you can eliminate from fiction is the description of what most readers have seen.

You have to dream intentionally. Most people dream a dream when they are asleep. But to be a writer, you have to dream while you are awake, intentionally.

Good style happens in one of two ways: the writer either has an inborn talent or is willing to work herself to death to get it.