There's a kid or some kids somewhere. I'll never know them. They're particle-puzzle-cubing right now. They might be mini-misanthropes from Moosefart, Montana. They might be demi-dystopians from Dogdick, Delaware. They dig my demonic dramas. The metaphysic maims them. They grasp the gravity. They'll duke it out with their demons. They'll serve a surfeit of survival skills. They won't be chronologically crucified.They'll shore up my shit. They'll radically revise it. They'll pass it along.

Cats gotta scratch. Dogs gotta bite. I gotta write.

The novel is final form; it's the ultimate individual final form. Television and motion pictures never get there. You'd be fabulous to think that something you write is even going to be filmed. I give it the best shot of which I'm capable. But it's more a payday for me. And if I didn't have alimony and the full-time assistant.

I want to have enough data, so I won't write myself into thin air, so that I can extrapolate and give you this secret human infrastructure. The only way I sate my own curiosity is to create this from scratch. There must be commanding love stories. There must be great moral cost.

I have insane curiosity as to what happened in all these events. I will never know. I'm not a researcher. I don't possess that kind of mind. I have a researcher who compiles the fact sheets and chronologies that allow me to write these big books of mine.

"War gives men a plain-and-simple something to do ... Women write diaries in the hope that their words will beckon fate." It's a romantic manifesto.

I don't think I will write anything that could be even remotely considered a genre novel from this point on. I think I've graduated.

I like to be alone so I can write. But focus can hurt you. I don't want to be some stress casualty in early middle age.

The 250-page outline for American Tabloid. The books are so dense. They're so complex, you cannot write like I write off the top of your head. It's the combination of that meticulousness and the power of the prose and, I think, the depth of the characterizations and the risks that I've taken with language that give the books their clout. And that's where I get pissed off at a lot of my younger readers.