Great control and great discipline are necessary when you reach your own editing stage of the book, but in the early stages you have to be prepared to let anything happen and to get it wrong or go off track. The development of a character is not smooth or simple - it is as tricky as meeting someone new whom you would like to know better.

I'm always nervous about going home, just as I am nervous about rereading books that have meant a lot to me.

Seeing one's books on the shelf tells you so much about the way somebody has, over the years, put together their private library, which is a reflection of their minds and their selves.

You're never alone with a book, are you? It's a dialogue.

We shall all die, and our lives will be irrelevant then. If we make anything that lasts, it outlives us, and it outlives its personal moment. All of my work is deep-dug from me, and every book has to stand or fall without me.

In my subconscious, my books were part of a single emotional journey.

Knowing that books are something that is hidden, that almost has that alchemical quality to it. There is a secret society in here, and if you belong to it, you'll be able to transform your lead into gold. I have that rather magical sense about books - that they do, somehow, have special powers.

The best language is always found in books because it's considered. It's a high language. Sometimes, it is complex and difficult. It's empowering and offers a way to speak about yourself that you don't have if all you are doing is reading the newspaper and watching TV.

Written on the body is a secret code only visible in certain lights: the accumulations of a lifetime gather there. In places the palimpsest is so heavily worked that the letters feel like Braille. I like to keep my body rolled up away from prying eyes, never unfold too much, or tell the whole story. I didn't know that Louise would have reading hands. She has translated me into her own book.