For me, growing up, the downside of it was that as a kid you don't want to stand out. You don't want to have a famous father let alone get a job because of your famous father, you know? But I'm a product of nepotism. That's how I got my foot in the door, through my dad.

You know, it's kind of a shame in a way but the more seasoned directors a lot of times have more difficult getting a job than first time guys. New kid on the block kind of thing.

As a kid, you want to be liked for who you are. You don't want to be liked for who your parents are. You don't want to get a job because of who your parents are. You want to do it on your own, with your own gifts and your own value. So, I decided to spare my kids that and not be as pro-active as my dad was.

You don't want to do what your parents want you to do. You got your own things. And the whole idea of getting a job because of who your father is - that didn't isn't right.

When you're a professional you gotta do it [your job] when you don't feel like doing it.

You don't really have to do the things that your character is doing. But us actors, we use something called sense memory. I've certainly been drunk before, and part of my job is to recall that without getting drunk.

I've never been motivated by the award thing. There's a certain thing that this fame thing does that makes my job harder, in a way. I'm still working with that. I don't think about it too much until somebody asks me a question, and then I think about it.