I think we're all hooked, I feel my own hook-ness on immediate gratification you know. I want what I want.

Taylor Sheridan I think wrote a very good script. It reeked of authenticity. He seemed like a guy who knew what he was talking about and it turned out that Taylor's uncle is a Marshal, so he knew things from that side.

I don't really think in career terms.

I confessed to Mike [Cimino] a couple of days before we shot. I was like, "What am I doing here, Mike?" And Mike just looked at me, in that very directorial manor, took a long pause, and he said, "You know the game tag?" And I said, "Yeah." And he said, "Well, you're it." That was some of the best direction I think I've ever received.

I did [Michael Cimino] first movie, "Thunderbolt and Lightfoot," and I remember I was still in my twenties and very nervous, we're shooting up in Montana, and I'm thinking, "What the hell am I doing here? I don't feel anything like this part.

Play doesn't have to be a frivolous thing. You may think of a Beethoven symphony as something serious, but it's still being played. I think Oscar Wilde said that life is too important to be taken seriously.

I just hope that theaters remain. I think there's something very wonderful about getting into a dark room with a bunch of people. There's something cool about that. Brings us all together in one room where we can experience all those emotions.

As far as the lack of hits goes, I think perhaps it's because I've played a lot of different roles and have not created a persona that the public can latch on to. I have played everything from psychopathic killers to romantic leading men, and in picking such diverse roles I have avoided typecasting.

Sometimes I think of movie acting as advanced pretend.