When I do my best work, the stories tend to be pretty emotionally-charged.

It's my job to write the best book I can each month and hand my scripts in. Everything else is beyond my control.

I've found I sometimes have the best success working on characters I didn't really connect to right away.

You can write a script, but that's just a starting point as a cartoonist. The heart of the process comes when you start to draw it, and you work out how to lay the page out, how best to tell the story.