I'm at the eye doctor. I'm always at the eye doctor. It's like this is my profession. I am no longer a writer, I'm now an optomoligical patient. By the way, this job doesn't pay well.

I don't decide where I live. My wife decides. She's a curator of contemporary art, and she works at an art museum, so we go wherever she has a job. All basements look the same, so I can write from whatever basement I happen to be living in.

The way we still essentializ, we're constantly essentializing people as merely poor, or merely other, and in the end you can't have a relationship with people. I think the biggest job of adulthood is to learn to imagine other people complexly.

And now life has become the future. Every moment of your life is lived for the future—you go to high school so you can go to college so you can get a good job so you can get a nice house so you can afford to send your kids to college so they can get a good job so they can get a nice house so they can afford to send their kids to college.

When I was in college, I remember fearing that the dreary grind of adulthood would feature infinitely more existential dread than frat parties had, but the opposite has been true for me. I'm much less likely to feel that gnawing fear of aimlessness and nihilism than I used to be and that's partly because education gave me job opportunities, but it's mostly because education gave me perspective and context.

The job of reading is to use stories as a way into seeing other people as we see ourselves

One of the jobs of a writer is to add nuance and ambiguity to that straight line that people often draw to very specific kinds of heroism. Most of us don't get to be Snooki. For most of us heroism has to be in our everyday lives.

The prospect of a world that contains neither humans nor Z's is not so terrifying. Nature will take its world back. Animals will frolic and fight. There will be no lord of the manor, which is not such a bad thing, because it seems to me that people have done a pretty poor job of guiding the biosphere for the last few thousand years.

...I will continue to underscore that I don't think authorial intent is all that important to a reading experience, and I certainly don't think the job of reading is to divine authorial intent.