I'm not planning what I listen to, except when I think the music can guide me to some emotional place I want to be reminded of.

Being blocked, being uncertain, sitting there not knowing, waiting, abiding with it: this is the work. If you don't have the tolerance for that you're in great trouble. If you want to call it a writer's block... that doesn't seem a very useful name for that kind of abiding that I think is the essence of the work.

I've been an advocate against the view of the writer as a partitioned genius hanging in conceptual space, or up on a mountain, a bringer of Promethean fire, some unique transmission that comes out of nowhere. I prefer the opposite view - that writers come from somewhere. They read things, and they think about them, and they incorporate other people's thoughts.

I tend to think of myself as a highly emotional writer. It's all coming out of the deepest feelings, out of dreams, out of the unconscious.

Once you fall into habits, I think, you're dead as an artist. You have to challenge yourself and never rest on your laurels, never think about what you've done in the past.

I believe that written stories will continue to survive because they answer an essential human need. I think movies might disappear before the novel disappears, because the novel is really one of the only places in the world where two strangers can meet on terms of absolute intimacy.

Comics? Honestly, that's more a matter of nostalgia for me. I think most of that energy has gone to my love of literature and my love of film.

How often had that hydrant even been opened? Did you jet water through a car window, what, twice at best? Summer burned just a few afternoons long, in the end. As for flying, Dose never even glanced at the sky. Flying was a summer within a summer, a whim. So why think of it at all?

The computer is the way I'm making books, but I still think about the physical properties. I visualize the length of a book, the proportions of a book, in material terms.