When you're young—when I was young—you want your emotions to be like the ones you read about in books. You want them to overturn your life, create and define a new reality.

You realize how sympathy and antagonism can coexist. You are discovering how many seemingly incompatible emotions can thrive, side by side, in the same human heart.

Things, once gone, can’t be put back; he knew that now. A punch, once delivered, can’t be withdrawn. Words, once spoken, can’t be unsaid. We may go on as if nothing has been lost, nothing done, nothing said; we may claim to forget it all; but our innermost core doesn’t forget, because we have been changed for ever.

Not merely hope, but any burdensome yearning: ambition, hatred, love (especially love) - how rarely do our emotions meet the object they seem to deserve? How hopelessly we signal; how dark the sky; how big the waves. We are all lost at see, washed between hope and despair, hailing something that may never come to rescue us. Catastrophe has become art; but this is no reducing process. It is freeing, enlarging, explaining. Catastrophe has become art: that is, after all, what it is for.