If you are looking for something, don't go sit on the seashore and expect it to come and find you; you must search, search, search with all the stubbornness in you!

There are no small parts, only small actors.

It is not enough to discover the secret of a play, its thought and feelings—the actor must be able to convert them into living terms.

The verbal text of a play, especially one by a genius, is the manifestation of the clarity, the subtlety, the concrete power to express invisible thoughts and feelings of the author himself. Inside each and every word there is an emotion, a thought, that produced the word and justifies its being there.

In every physical action, unless it is purely mechanical, there is concealed some inner action, some feelings. This is how the two levels of life in a part are created, the inner and the outer. They are intertwined. A common purpose brings them together and reinforces the unbreakable bond.

The actor does not live, he plays. He remains cold toward the object of his acting but his art must be perfection.

I was truly happy. But my state was not that of any ordinary satisfaction. It was a joy which stemmed directly from creative, artistic achievement.