You don't go to Berkeley to become an actor. In fact, I don't think you go to any school to become an actor. You've just sort of got to go out there and act.

I always liked to go to Vancouver to shoot, because I think Vancouver's a beautiful city.

I had great affection for Dana Carvey, and I think we all thought, "Dana's the guy. There's the comic genius."

Why focus on what somebody might think? Nobody talks [on TV] like people really talk most of the time.

To be an actor, a lot of times it's a strange combination of high confidence and low self-esteem. Which is a weird combination to have, but I think it's sort of very common among actors.

I understand that actors lose their looks, they change over time, but people don't lose their talent. I think that, as people get older and the people who make the decisions get older, they don't like hiring people much older than them because it reminds them of their fathers, and they don't like telling people older than them what to do. It makes them uncomfortable. I think that happens a lot.

I've worked with Jack Nicholson and Robert De Niro and Tom Hanks. I've worked with some really good directors: Woody Allen, Paul Schrader... I've really worked with a lot of people. But I'm intimidated by them, and I'm always thinking, "Oh, my God, he's not going to like me, and I'm going to get fired,".