It is better for the heart to break, than not to break.

Attention is the beginning of devotion.

No, I mean really listen. Here's a story, and you don't have to visit manyhouses to find it. One person is talking,the other one is not really listening.someone can look like they are but they'reactually thinking about something they want to say, or their minds are justwandering. Or they're looking at thatlittle box people hold in their hands thesedays. And people get discouraged, so theyquit trying. And the very quiet people,you may have noticed, are often the sadpeople.

Language is rich, and malleable. It is a living, vibrant material, and every part of a poem works in conjunction with every other part - the content, the place, the diction, the rhythm, the tone-as well as the very sliding, floating, thumping, rapping sounds of it.

Writing is neither vibrant life nor docile artifact but a text that would put all its money on the hope of suggestion.

Ten times a day something happens to me like this - some strengthening throb of amazement - some good sweet empathic ping and swell. This is the first, the wildest and the wisest thing I know: that the soul exists and is built entirely out of attentiveness.

When it's over, I want to say: all my life I was a bride married to amazement. I was the bridegroom, taking the world into my arms. When it is over, I don't want to wonder if I have made of my life something particular, and real. I don't want to find myself sighing and frightened, or full of argument. I don't want to end up simply having visited this world.

I want to think again of dangerous and noble things. I want to be light and frolicsome. I want to be improbable and beautiful and afraid of nothing as though I had wings.

On poetry: Everyone wants to know what it means. But nobody is asking, How does it feel?