I think the story of 'Alice in Wonderland' in a way is a reminder that life is frightening, it can shift on you at any moment.

I think parenthood is a wonderful balancing act. On the one hand, you want to spend as much time with your children as possible. On the other hand, you want to set an example for them to see that you're fulfilled in your life and in your work.

I think the best acting is when you allow yourself to be kind of vulnerable in the moment.

And so, in terms of setting the right tone and finding a way of presenting all of these things, that creates a cohesive whole and doesn't alienate the audience, is tough. That's a challenge. And I think the tone of a lot of shows is discovered through experimentation and actually making it. Eventually, it starts to cohere.

Having said that, what I think we found, in doing the show, and in life, generally, is that the more you try to separate sex from everything else, it's impossible. You can't. The act of observation affects the actual experiment, and we see that in this.

My experience of working on this show, even though there is so much about sex and sexuality, and we find out a lot of facts and statistics that are very interesting, in their own right, I found that I started talking about relationships more, and the emotions, the difficulties and the challenges. So, I became far more open about that, which I think is probably an indication with the show itself.

The more you think that you are watching a show about sex, the more you ultimately are watching a show about the challenges of just connecting with human beings and being intimate.

I am prone to get carried away thinking about creative projects.

I think when you work on a Woody Allen film the actors become a real company, probably more than on any other film.