[photography]... wanted to understand, to master for myself, all the processes involved, and to manipulate them in my own way.

My mother showed me that when tin or zinc was bent it uttered a special ‘cry’. ‘It’s due to deformation of the crystal structure,’ she said, forgetting that I was five, and could not understand her - and yet her words fascinated me, made me want to know more.

A union of literary and scientific cultures – there was not the dissociation of sensibility that was so soon to come ... Davy himself was writing (and sometimes publishing) a good deal of poetry at the time; his notebooks mix details of chemical experiments, poems, and philosophical reflections all together; and these did not seem to exist in separate compartments in his mind.

And I often dream of chemistry at night, dreams that conflate the past and the present, the grid of the periodic table transformed to the grid of Manhattan. […] Sometimes, too, I dream of the indecipherable language of tin (a confused memory, perhaps, of its plaintive “cry”). But my favorite dream is of going to the opera (I am Hafnium), sharing a box at the Met with the other heavy transition metals—my old and valued friends—Tantalum, Rhenium, Osmium, Iridium, Platinum, Gold, and Tungsten.