With wine and being lost, withless and less of both:I rode through the snow, do you read meI rode God far--I rode Godnear, he sang,it wasour last ride overthe hurdled humans.They cowered whenthey heard usoverhead, theywrote, theylied our neighinginto one of theirimage-ridden languages.

Reachable, near and not lost, there remained in the midst of the losses this one thing: language. It, the language, remained, not lost, yes, in spite of everything. But it had to pass through its own answerlessness, pass through frightful muting, pass through the thousand darknesses of deathbringing speech. It passed through and gave back no words for that which happened; yet it passed through this happening. Passed through and could come to light again, “enriched” by all this.

A poem, as a manifestation of language and thus essentially dialogue, can be a message in a bottle, sent out in the –not always greatly hopeful-belief that somewhere and sometime it could wash up on land, on heartland perhaps. Poems in this sense too are under way: they are making toward something. Toward what? Toward something standing open, occupiable, perhaps toward an addressable Thou, toward an addressable reality.

They are the efforts of someone who, overarced by stars that are human handiwork, and who, shelterless in this till now undreamt of sense and thus most uncannily in the open, goes with his very being into language, reality-wounded and reality-seeking.

I went with my very being toward language.

The language with which I make my poems has nothing to do with one spoken here, or anywhere.