Drummers get bored. You tell them to play something simple, and it gets more complicated as they do it. If they're not a composer, if they don't have any kind of investment in the music, they'll just add a bit there and another bit there, and you think no! Don't do that. So you end up using a drum machine.

Think twice; it's just another day for you and me in paradise.

I don't want to preach, but I really think the rudiments are very important to developing your drumming skills. Many of the patterns I've recorded came from things like paradiddles, flam paradiddles, flam triplets... They might be boring to sit down and practice, but not when you apply them to the drums.

I never said I was at the Alamo. Someone else said I was at the Alamo. Now I'm a nutter. I don't think that's fair.

Many people think of me as a perfectionist, someone who polishes and shines each song and performance. I've always been bothered by that assumption.

The whole having records and selling records and being on TV, that was something that I didn't ever think would be for me. I thought that would be for other people. All I wanted to do was make a living playing the drums.

There's something perverse isn't there, if you're playing in front of 100,000 people and there's 2000 people down the front who don't like, you think: what is it that they don't like?

I think I was the best drummer!

I do miss things about Britain. I think there was a misconception, there definitely was, that I left because of bad press, and being pilloried. I left Britain because I fell in love with someone who lived in Switzerland - that was the main thing.