I've lived next door to people all my life. I don't know how cute they think I am.

I think in general, romantic comedies tend to take one person's point of view, but every once in a while you get something that is balanced for two people.

I had prepared myself for the second half of my life [to be] filled with other passions that don't include being in front of the camera. And then all of a sudden I got more work and more work and more work. And I went, "Well maybe things have shifted." And I think they have.

I think every human being has a level of melancholy in life and in general.

If you're gonna tell a story from beginning to end, I always think you have to have a great structure in a script. If it gets you excited and it's something you've never read before that's another plus. I think also with improv and that whole world of stand-up, that's a whole other organism of comedy that still needs a story, but it's more free-form. On the set, it is the combination of both those worlds coming together: a great script and an allowance to play with it.

I don't understand why there needs to be a love interest to make women go see a film. I think society sort of makes us feel that way - that if you don't have a guy, you're worthless.

You hear sounds and orchestration, it's ... the fastest way, I think, to your emotions, even if you don't understand the language of the song.

I haven't always acted or reacted in a way that made me proud, but I didn't make that same mistake twice, and I think that's what I love about adversity is that it always reminds me of what's really valuable in life.

I love humor. I always will fall back on humor. That's something that I think you can't ever get enough of and, if it's done well, it's great. When it's bad, it's horrible.