I think I have some anger-management issues, and they end up coming out in these passive-aggressive songs that sound happy.

Nobody ever thinks a song is about them. Well, not when it's mean. When it's a good song everybody thinks it's about them. And when it's mean, nobody thinks it's about them.

I'd like to think I could physically manage doing that, but I don't think it feels authentic to the kind of performer that I am. I think that, for me, being stationary and just sort of singing the songs seems to be the most connected and authentic expression for me on stage.

I've dabbled in running around on stage, and at certain times it's nice to step away from the anchor of the piano and use a handheld microphone and connect with the audience, but I think my soul as a performer is just a little bit more connected to the instrument. To just sort of sit and sing - that feels like the most natural fit for me.

I think it's one of those things about live performance - anything goes, anything can happen, and you have to just be ready and able to roll with the punches.

At the end of the day, the only thing I ever wanted to feel was loved. So I think if I could give someone a piece of advice, it's really learn how to be kind to yourself. In all of our ugliness and all of our brokenness and our bad choices, to really learn to nurture that part of yourself that can be your own big sister in a way.

I certainly have dreams of being on a Broadway stage someday, if they'll have me. I think I want to stay really open to whatever possibilities present themselves.

There are so many wonderful classic roles, but I also would be really interested in developing something brand new. I think my heart would probably be in developing something brand new; I think that sounds really exciting.

I'm that person who owns all of the seasons on DVDs, including the Lifetime intimate portraits showcasing The Golden Girls. I am a massive fan. I think I'm Dorothy. She's my favorite.