Don't worry. You don't know enough to worry. . . . Who do you think you are that you should worry, for cryin' out loud. It's a total waste of time. It presupposes such a knowledge of the situation that it is, in fact, a form of hubris.

I really think there is a very large distinction between synthetic and naturally occurring drugs. ... I think that these plants 'take people' as much as people take the plants. ... When you take one of these ancient, ancient hallucinogens you are locking in to the morphogenetic fields of all the people who ever took it.

So what needs to be done is to spread the idea that anxiety is inappropriate. It's sort of like we who are psychedelic have to function as sitters for society, because society is going to thrash, and resist, and think it's dying, and be deluded, and regurgitate unconscious material, and so forth and so on. And the role then, I think, for psychedelic people is to try and spread calm.

I do not think that the government, under the guise of some phony, alarmist, pseudo-scientific rhetoric, should attempt to control the evolution of consciousness. After all, if these things truly are consciousness-expanding, it doesn't take too much intelligence to realize that it is the absence of consciousness that is causing our flirtation with extinction and planetary disaster.

Liberate yourself from the illusion of culture. Take responsibility for what you think and what you do.

Clearly, what is happening, I think, is there is a kind of global emergence of a new mental order.

I think psychedelics are sort of like doing calisthenics in preparation for the marathon at the end of time.

What is happening, I think, it's really bigger than psychedelics, it's bigger than human evolution. We are not making the waves in this ocean. We are corks, riding the waves of the ocean. But we are privileged, by perhaps chance alone, to occupy a unique moment in the history of the universe. A moment when the universe goes through some kind of self-transforming, evolutionary, inflationary expansion. That's what's happening.

At the interface of the say-able and the unsay-able is the novel, the new, the never before seen, said or done. And that's what I think it's important to try and bring out, ideas. Because I think we are the animals that bring back ideas.