I do think it's important for young women to know that magazine covers are retouched. People don't really look like that.

I'm really happy in my own skin. There's a lot of judgment that can come from outside sometimes, and there's media scrutiny that is placed on a lot of women in the public eye, and I just couldn't care less. I really couldn't care less. 'I would sometimes say in my twenties, 'oh, I couldn't care less', but I think I probably did. Now I genuinely don't and that's a lovely, liberating thing to experience.

When you're telling a story, I think you should tell it to its fullest, with reckless abandon, and absolutely let it be what it is.

I'm often moved by the circumstances around some of my characters, but I don't think I've actually cried watching myself.

I'm often drawn to characters that are more obviously one thing. They're passionate, and there is always an element of strength because I think every person possesses that in some way, even if they've experienced hardship in their lives.

I wouldn't be a part of anything that had acts of violence toward children. I don't think I would do a horror film, either. That just doesn't sit well on my soul.

I often look at women who wear great jeans and high heels and nice little T-shirts wandering around the city ,and I think, 'I should make more of an effort. I should look like that.' But then I think, 'They can't be happy in those heels.'

I knew it was going to be important that if I had an audience understand who she was, then all those things had to come from a place that was grounded, as opposed to being tics and manners and twitches. I didn't think it was going to be as rich, perhaps, as if I was going to make it more emotional.

For me, they definitely made it more challenging. The comfort zone factor really kicked in between Leo and I, and I just think that's because we know each other so well. We've known each other since we were 20-years-old.