290 Quotes About Imagery
- Author Ray Bradbury
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Now this greatest tent staled out hot raw breaths of earth, confetti that was ancient when the canals of Venice were not yet staked, and wafts of pink cotton candy like tired feather boas. In rushing downfalls, the tent shed skin; grieved, soughed as flesh fell away until at last the tall museum timbers at the spine of the discarded monster dropped with three canon roars.
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- Author Oscar Wilde
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And after that they had gone through many streets they came to a little door that was set in a wall that was covered with a pomegranate tree. And the old man touched the door with a ring of graved jaspar and it opened, and they went down five steps of brass into a garden filled with black poppies and green jars of burnt clay.
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- Author Douglas Preston
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The little town of Stormhaven struggled up the hill, narrow clapboard houses following a zigzag of cobblestone lanes.
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- Author Jean Baudrillard
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it is dangerous to unmask images, since they dissimulate the fact that there is nothing behind them).
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- Author Harold Bloom
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One breaks into the canon only by aesthetic strength.
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- Author Chris Matthews
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It's not such a bad idea, at any time, to be seen as FIGHTING, especially when you might just win.
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- Author Karin Slaughter
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There was no part of this house that felt inviting. Paul's cold, calculating hand could be seen behind every choice. The concrete on the entryway floor was polished to a dark mirror straight out of Snow White. The spiral stairs looked like a robot's asshole. The endless white walls made Lydia feel like she was trapped inside a straightjacket. The sooner she was out of here the better.
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- Author Jean Baudrillard
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What one exorcises in this [imagery] way at little cost, and for the price of a few tears, will never in effect be reproduced
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- Author Jean Baudrillard
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But what becomes of the divinity when it reveals itself in icons, when it is multiplied in simulacra? Does it remain the supreme power that is simply incarnated in images as a visible theology? Or does it volatilize itself in the simulacra that, alone, deploy their power and pomp of fascination - the visible machinery of icons substituted for the pure and intelligible Idea of God?
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