214 Quotes About Literary-criticism

Montag, os velhos que ficam em casa, receosos, cuidando de seus ossos quebradiços como casca de amendoim, não têm nenhum direito de criticar.

Nobody is capable of of free speech unless he knows how to use language, and such knowledge is not a gift: it has to learned and worked at. [p.93]

I don't see how the study of language and literature can be separated from the question of free speech, which we all know is fundamental to our society. [p.92]

At first I was glad for the help. My freshmen English class, "Mythology and Archetypal Experience," confounded me. I didn't understand why we couldn't just read books without forcing contorted interpretations on then

If you were to stare at this box of matches, you could extract entire worlds out of it. If you search for tastes in a book, you will certainly find them because it was said: seek and ye shall find. But a critic should not rifle, search. Let him sit back with folded arms, waiting for the book to find him. Talents should not be sought with a microscope, a talent should let people know about itself by striking at all the bells.

We should bear in mind the supercrip stereotype as a figure obsessively, indeed maniacally, over-compensating for a perceived physical difference or lack, since, as we shall see, this aspect ties in quite neatly with the genre specificities and narratival concerns of so much Silver Age superhero literature.

It is hardly fortuitous that all the chief actors are property owners with no apparent necessity to work; that they are supplied as if by miracle with endless supplies of honey, condensed milk, balloons, popguns, and extract of malt; and that they crave meaningless aristocratic distinctions and will resort to any measure in their drive for class prestige. Not for nothing is the sycophant Pooh eventually invested by Christopher Robin as 'Sir Pooh de Bear.

In any genre it may happen that the first great example contains the whole potentiality of the genre. It has been said that all philosophy is a footnote to Plato. It can be said that all prose fiction is a variation on the theme of Don Quixote.

In the whole world there is no deeper, no mightier literary work. This is, so far, the last and greatest expression of human thought... And if the world were to come to an end, and people were asked there, somewhere: “Did you understand your life on earth, and what conclusions have you drawn from it?”—man could silently hand over Don Quijote.(The Diary of a Writer, cited in Gilman, 76)