1,900 Quotes About Meaning

I can't say I understand it, but I know 'xactly what it means.

The ‘death’ of a metaphor is the loss of a connection between a metaphor and a specific word, not the loss of the conceptual metaphor itself. ‘Dead’ metaphors are words and phrases that were previously metaphoric, not conceptual metaphors that have disappeared. Conceptual metaphors generally ‘outlive’ the specific words and expressions that involve them.

Mixed metaphors with two source domains that don’t make sense together, […] are the structures that most deserve the name ‘mixed metaphors’.

And as to ordinary metaphors, or those which have already received the public sanction, and which are commonly very numerous in every tongue, the metaphorical meaning comes to be as really ascertained by custom in the particular language as the original, or what is called the literal meaning of the word. And in this respect metaphors stand on the same foot of general use with proper terms.

With regard to metaphor, it is certain, that in all languages there are many words which at first had one sense only, and afterwards acquired another by metaphorical application, of which words both senses are now become so current, that it would be difficult for any but an etymologist to determine which is the original and which the metaphorical.

It may be further remarked, that in some words the metaphorical sense hath justled out the original sense altogether, so that in respect of it they are become obsolete. Of this kind in our tongue are the verbs to train, to curb, to edify, to enhance, the primitive significations whereof were to draw, to bend, to build, to lift.

…in whatever light they [figurative words that have become literal] may be considered by the grammarian and the lexicographer, they cannot be considered as genuine metaphors by the rhetorician. I have already assigned the reason. They have nothing of the effect of metaphor upon the hearer. On the contrary, like proper terms, they suggest directly to his mind, without the intervention of any image, the ideas which the speaker proposed to convey by them.

...if we critically examine any language, ancient or modern, and trace its several terms and phrases to their source, we shall find it hold invariably, that all the words made use of, to denote spiritual and intellectual things, are in their origin metaphors, taken from the objects of sense.

Abstracted into signs, objects can be understood as a self-referential system with no relationship to either the natural materials or colours, or traditional societal structures. A substratum of meanings, objects become a lowest common denominator to which the connotative meanings imposed by advertising are attached.