445 Quotes About Prose

Like all obsessive characters, Merrick was inordinately boring. He was uninterested in books, music, politics, people or, seemingly, even sex. His studied politeness was a mask that must conceal a slow-boiling malevolence. I can't see what he could have responded to in an irrepressible jokesmith like Jimmy Porter. He could squeeze out a frosty smile only when someone like a lovingly hated star collapsed with coronary.

I must be the only playwright this century to have been pursued up a London street by an angry mob. LIke most battle experiences, my own view was limited by my vantage point at the back of the stalls. There was an inescapable tension in the house. The theatre itself took on a feeling of rococo mockery and devilment, too hot, a snake-pit of stabbing jewellery, hair-pieces, hobbling high heels, stifling wraps and unmanageable long frocks.

You’re lonely,” they say,but it doesn’t scare me anymorefor it teaches me,and maybe that’s the biggest win from these years:I don’t need anyone else to distract me from myself anymore,like I always thought I would.I don’t break mirrors anymore,like I always thought I would. I can finally stand myself,and I never thought I would.

I was stressed and scared and I had to hurry to be someone, become something, do something. I was running and talking and cursed myself when I wasted my time on things that wouldn’t get me anywhere. It was work and it was money and I was never where I was, always somewhere else in my head far, far away.

..Breaking yet budding,dying yet living - standingamongst ruins and rage,reaching for possibilitiesplaying hard to get.

The Grim Reaper isn't grim at all; he's a life-saver. He isn't grim because he isn't anything. . . . he is nothing. And nothing is a hell of a lot better than anything. So long, boys.

fiction must be different from reportage; painting from photography. And this difference should be reflected in the language of the work

For the truth remains that more can also be more, and that less is often inevitably less.

It is therefore necessary that writers everywhere should see it as their ultimate duty to preserve artfulness of language by couching audacious prose.