[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"$fTtAQCCYsfwkRnpN9QDKsRHixHJSXPIce4BTVDqqS0AA":3,"$f2cFTlGdsJy9fxCqff3nu40F8sUhW1YZPMMuGseBmahk":50},{"author":4,"tags":49},{"author_id":5,"author_name":6,"author_name_first_letter":7,"article_count":8,"bio":9,"short_bio":10,"bio_jsonld":11,"slug":47,"image_url":48},157234,"Greg Lynn","G",20,"Greg Lynn is an American architect, designer, and writer born on January 1, 1964, in North Olmsted.\n\nLynn was educated at Miami University before continuing his studies at the Princeton University School of Architecture. In addition to his work as an architect, designer, and writer, he has served as a university teacher, extending his professional activities into an academic setting.\n\nLynn conducts his work in English across the three fields of architecture, design, and writing, a combination that places him in both practice and written discourse. His roles as architect, designer, and writer define the range of his professional activity.","Greg Lynn is an American architect, designer, and writer born on January 1, 1964, in North Olmsted.",{"@graph":12,"@context":46},[13,23],{"@id":14,"name":6,"@type":15,"sameAs":16,"birthDate":21,"description":22},"https://www.wikidata.org/wiki/Q513374","Person",[14,17,18,19,20],"https://en.wikipedia.org/wiki/Greg_Lynn","https://viaf.org/viaf/47604012/","https://id.loc.gov/authorities/names/n96084521","https://d-nb.info/gnd/120900440","1964-01-01","American architect (born 1964)",{"@type":24,"author":25,"headline":28,"isBasedOn":29,"mainEntity":30,"reviewedBy":31,"articleBody":9,"dateCreated":32,"dateModified":33,"additionalProperty":34,"creativeWorkStatus":45},"Article",{"name":26,"@type":27},"Editorial Team","Organization","Greg Lynn — biography",[14,17,19],{"@id":14},{"name":26,"@type":27},"2026-05-24T23:51:38.251081+00:00","2026-05-24T23:59:12.404664+00:00",[35,39,42],{"@type":36,"value":37,"propertyID":38},"PropertyValue","Q513374","wikidata",{"@type":36,"value":40,"propertyID":41},"1.000","factscore",{"@type":36,"value":43,"propertyID":44},"claude-sonnet-4-6-r1","draftModel","AI-drafted, auto-published","https://schema.org","greg-lynn",null,[],{"quotes":51,"pagination":158},[52,61,74,86,92,103,114,125,136,147],{"id":53,"quote_text":54,"author_id":5,"source_id":55,"has_image":56,"author":57,"source":58,"quote_tag":59,"commentary":60},3057793,"It’s tens of millions of calculations just to design one connection between a piece of structural steel and another piece of structural steel.",6,true,{"id":5,"author_name":6,"slug":47,"author_name_first_letter":7,"article_count":8,"image_url":48},{},[],"**The Backstory**\nThis quote is likely from an interview or a lecture by Greg Lynn, an American architect and designer known for his work on parametric design and digital fabrication. At the time he was speaking about the complexity of designing large-scale structures using computational methods. As someone who has spent years pushing the boundaries of architectural design with technology, Lynn would have been intimately familiar with the challenges of navigating intricate systems.\n\n**The Hidden Insight**\nWhat's often overlooked in this quote is the tension between the precision and simplicity that modern computational tools promise versus the complexity they can actually introduce into the design process. Lynn is highlighting the paradox that as our ability to calculate increases, so too does the scope of what we're trying to accomplish, making the actual task of designing more complicated.\n\n**How to Use This**\nWhen faced with a complex problem or project in your own work, try to identify the \"tens of millions of calculations\" hidden within it. Instead of getting bogged down by the sheer scale of the challenge, ask yourself which specific connections and relationships are driving the complexity – and focus on simplifying those individual links rather than trying to conquer the entire system at once.",{"id":62,"quote_text":63,"author_id":5,"source_id":64,"has_image":65,"author":66,"source":67,"quote_tag":68,"commentary":48},1903379,"I always try to think in curves.",4,false,{"id":5,"author_name":6,"slug":47,"author_name_first_letter":7,"article_count":8,"image_url":48},{},[69],{"id":70,"tag":71},4892461,{"id":72,"tag_name":73},56,"thinking",{"id":75,"quote_text":76,"author_id":5,"source_id":64,"has_image":65,"author":77,"source":78,"quote_tag":79,"commentary":85},1903374,"It's tens of millions of calculations just to design one connection between a piece of structural steel and another piece of structural steel.",{"id":5,"author_name":6,"slug":47,"author_name_first_letter":7,"article_count":8,"image_url":48},{},[80],{"id":81,"tag":82},4892457,{"id":83,"tag_name":84},268,"motivation","**The Backstory**\n\nGreg Lynn, a renowned architect and professor at UCLA, likely uttered these words during his exploration of computational design methodologies in the 1990s. At that time, he was working at the forefront of digital architecture, developing novel methods for parametric and algorithmic design. This era saw significant advancements in computing power and software capabilities, but also raised questions about the role of human judgment in architectural creation.\n\n**The Hidden Insight**\n\nOn the surface, Lynn's statement appears to lament the complexity of computational design processes. However, it reveals a deeper concern: the tension between precision and intuition. The quote highlights the vast amount of mathematical calculations required to create even the most basic connections in structural steelwork, implying that human designers must balance their creative instincts with an increasingly complex digital framework.\n\n**How to Use This**\n\nTo apply this mindset today, consider embracing \"design as computation\" by acknowledging that your creative process is inherently intertwined with computational tools. Instead of merely using software as a means to visualize or communicate ideas, recognize the potential for algorithms and machine learning to augment and even surpass human creativity in specific domains. By doing so, you can unlock new levels of precision, efficiency, and innovative possibility in your work.",{"id":87,"quote_text":88,"author_id":5,"source_id":64,"has_image":65,"author":89,"source":90,"quote_tag":91,"commentary":48},1903371,"To go back to architecture, whats organic about architecture as a field, unlike product design, is this whole issue of holism and of monumentality is really our realm. Like, we have to design things which are coherent as a single object, but also break down into small rooms and have an identity of both the big scale and the small scale.",{"id":5,"author_name":6,"slug":47,"author_name_first_letter":7,"article_count":8,"image_url":48},{},[],{"id":93,"quote_text":94,"author_id":5,"source_id":64,"has_image":65,"author":95,"source":96,"quote_tag":97,"commentary":48},1903367,"A very big percentage of small-scale construction is plastic. But its some horrible beige plastic made to look like wood.",{"id":5,"author_name":6,"slug":47,"author_name_first_letter":7,"article_count":8,"image_url":48},{},[98],{"id":99,"tag":100},4892449,{"id":101,"tag_name":102},2780,"looks",{"id":104,"quote_text":105,"author_id":5,"source_id":64,"has_image":65,"author":106,"source":107,"quote_tag":108,"commentary":48},1903361,"It's most satisfying to have an effect on the public realm - deep down I think it's what every architect wants to do.",{"id":5,"author_name":6,"slug":47,"author_name_first_letter":7,"article_count":8,"image_url":48},{},[109],{"id":110,"tag":111},4892443,{"id":112,"tag_name":113},11686,"architect",{"id":115,"quote_text":116,"author_id":5,"source_id":64,"has_image":65,"author":117,"source":118,"quote_tag":119,"commentary":48},1903355,"It turns out it's not rocket science to design a sacred space.",{"id":5,"author_name":6,"slug":47,"author_name_first_letter":7,"article_count":8,"image_url":48},{},[120],{"id":121,"tag":122},4892439,{"id":123,"tag_name":124},7002,"design",{"id":126,"quote_text":127,"author_id":5,"source_id":64,"has_image":65,"author":128,"source":129,"quote_tag":130,"commentary":48},1903349,"The clothes I like are not necessarily tailored.",{"id":5,"author_name":6,"slug":47,"author_name_first_letter":7,"article_count":8,"image_url":48},{},[131],{"id":132,"tag":133},4892433,{"id":134,"tag_name":135},4050,"clothes",{"id":137,"quote_text":138,"author_id":5,"source_id":64,"has_image":65,"author":139,"source":140,"quote_tag":141,"commentary":48},1903345,"It's incredibly exciting to know people are using and living with the things I create.",{"id":5,"author_name":6,"slug":47,"author_name_first_letter":7,"article_count":8,"image_url":48},{},[142],{"id":143,"tag":144},4892426,{"id":145,"tag_name":146},593,"exciting",{"id":148,"quote_text":149,"author_id":5,"source_id":64,"has_image":65,"author":150,"source":151,"quote_tag":152,"commentary":48},1903336,"Without a computer, every point on a structure has to be calculated with reference to everything else. But by using a PC, I can create complex curves that don't have radii or centers.",{"id":5,"author_name":6,"slug":47,"author_name_first_letter":7,"article_count":8,"image_url":48},{},[153],{"id":154,"tag":155},4892419,{"id":156,"tag_name":157},52271,"calculated",{"currentPage":159,"totalPages":160,"totalItems":8,"itemsPerPage":161},1,2,10]