[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"$fbQMYs9vdUSRXPw_xl40Yg1FqFoAXB7ReQLVlj2719HA":3,"$fHOWT1_568E_Ta85jpZQHtZo_NxUvyB-2Yy17_1W0WI8":12},{"author":4,"tags":11},{"author_id":5,"author_name":6,"author_name_first_letter":7,"article_count":8,"bio":9,"short_bio":9,"slug":10,"image_url":9},55503,"Kamala Das","K",3,null,"kamala-das",[],{"quotes":13,"pagination":85},[14,48,64],{"id":15,"quote_text":16,"author_id":5,"source_id":17,"has_image":18,"author":19,"source":20,"quote_tag":21,"commentary":47},742295,"At sunset, on the river ban, KrishnaLoved her for the last time and left. . .That night in her husband's arms, Radha feltSo dead that he asked, What is wrong,Do you mind my kisses, love? And she said,Not not at all, but thought, What is It to the corpse if the maggots nip?",2,false,{"id":5,"author_name":6,"slug":10,"author_name_first_letter":7,"article_count":8,"image_url":9},{},[22,27,32,37,42],{"id":23,"tag":24},3569332,{"id":25,"tag_name":26},25,"love",{"id":28,"tag":29},3569333,{"id":30,"tag_name":31},95,"marriage",{"id":33,"tag":34},3569330,{"id":35,"tag_name":36},119,"death",{"id":38,"tag":39},3569334,{"id":40,"tag_name":41},1221,"poem",{"id":43,"tag":44},3569329,{"id":45,"tag_name":46},22223,"corpse","**The Backstory**\nKamala Das's poem \"The Old Play\" is a poignant exploration of love, loss, and identity. Written during a tumultuous period in her personal life, the poem reflects her struggles with marriage, motherhood, and her own desires. The era in which she wrote this piece was marked by societal expectations that stifled women's autonomy.\n\n**The Hidden Insight**\nAt first glance, Radha's response to her husband's affection may seem like a rejection or even an admission of emotional numbness. However, the \"hidden insight\" lies in the fact that Radha isn't rejecting her husband's kisses; rather, she's making a profound distinction between physical intimacy and emotional connection. Her statement reveals a deep awareness of the disconnection between her bodily responses and her inner life.\n\n**How to Use This**\nIn today's fast-paced professional landscape, where we're often encouraged to \"put on a brave face,\" Kamala Das's poem reminds us that it's okay to acknowledge the disconnect between our external actions and internal experiences. By recognizing this distinction, we can learn to separate our physical presence from our emotional availability, allowing for more authentic relationships and self-awareness in both personal and professional settings.",{"id":49,"quote_text":50,"author_id":5,"source_id":17,"has_image":18,"author":51,"source":52,"quote_tag":53,"commentary":9},695437,"It is I who drink lonely Drinks at twelve, midnight, in hotels of strange towns, It is I who laugh, it is I who make love And then, feel shame, it is I who lie dying With a rattle in my throat. I am sinner, I am saint. I am the beloved and the Betrayed. I have no joys that are not yours, no Aches which are not yours. I too call myself I.",{"id":5,"author_name":6,"slug":10,"author_name_first_letter":7,"article_count":8,"image_url":9},{},[54,59],{"id":55,"tag":56},3451036,{"id":57,"tag_name":58},5128,"feminism",{"id":60,"tag":61},3451037,{"id":62,"tag_name":63},11095,"introduction",{"id":65,"quote_text":66,"author_id":5,"source_id":17,"has_image":18,"author":67,"source":68,"quote_tag":69,"commentary":9},338107,"The obsession with sin destroyed the mind of several girls who were at the beginning of their adolescence, normal and easy-going. If there was a dearth of sin, sin at any cost had to be manufactured, because forgiving the sinners was a therapeutic exercise, popular with the rabidly virtuous.",{"id":5,"author_name":6,"slug":10,"author_name_first_letter":7,"article_count":8,"image_url":9},{},[70,75,80],{"id":71,"tag":72},2019717,{"id":73,"tag_name":74},748,"morality",{"id":76,"tag":77},2019710,{"id":78,"tag_name":79},924,"girls",{"id":81,"tag":82},2019696,{"id":83,"tag_name":84},13730,"adolescence",{"currentPage":86,"totalPages":86,"totalItems":8,"itemsPerPage":87},1,10]