He mostly preached in the evening, when the college church was already shrouded in shadow. And he chose subjects that filled the imagination with salutary fear—sin, Hell, death—painting pictures that were sometimes cajoling, more often harrowing, evoking the effects of the fire on the damned. The little group of pupils listened, apprehensive, sometimes terrified, a distraught flock whose black shepherd is gesticulating towards distant flames.
-Georges Rodenbach
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