The fetishizing of the past had a degrading effect on composers’ morale. They started to doubt their ability to please this implacable audience, which seemed prepared to reject their wares no matter what style they wrote in. If no one cares, composers reasoned, we might as well write for one another. This was the attitude that led to the intransigent, sometimes antisocial mentality of the twentieth-century avant-garde.
-Alex Ross
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