Certainly, forties science fiction can be seen as a reaction to or against the vision of a single man, John W. Campbell; in the fifties, H L Gold, Fred Phol, Anthony Boucher and a few others began to solicit stories and propound a science fiction of satire and doom, and in the sixties, Michael Moorcock and Harlan Ellison, by pressuring for and proclaiming a literature of catastrophe, got a great deal of it.

-Barry N. Malzberg

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