It is also clear that the original performances, in public celebrations of all kinds, from religious festivals to the ‘after-party’ of triumphs, were unruly, raucous occasions, attracting a wide cross section of the population of the city, including women and slaves. This is in sharp contrast to classical Athens, where the theatre audience, though larger than at Rome, was probably restricted to male citizens, unruly or not.
-Mary Beard
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