The work of art that insures the rebirth of its author and its reader or viewer is one that succeeds in integrating the artificial language it puts forward (ne style, new composition, surprising imagination) and the unnamed agitations [Émois] of an omnipotent self that ordinary social and linguistic usage always leave somewhat orphaned or plunged into mourning. Hence such a fiction, if it isn't an antidepressant, is at least, a survival, a resurrection.
-Julia Kristeva
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