The debate, throughout the eighties, was no longer about what we had inherited as our 'culture' or what, indeed, was the 'culture' we adhere to, but about how to root out the insidious 'foreign' (and therefore anti-Pakistan) elements which had crept in. Since it was feared that the slightest whiff from across the border would annihilate our 'ideology', the performing arts were confined to horse and cattle shows, and the fine arts, to calligraphy--at an official level that is.
-Zia Mohyeddin
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