So Tessina had become a woman, with cornflower-blue eyes, brighter than Filippo's best paint; and thick, wavy hair that had darkened a little to the color of old amber or perhaps chestnut honey, shaved back in the fashionable way from her smooth forehead. She still had freckles, the tiny upward curve to the end of her nose, but her face had changed. It had become itself.
-Philip Kazan
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