This is the time for every artist in every genre to do what he or she does loudly and consistently. It doesn't matter to me what your position is. You've got to keep asserting the complexity and the originality of life, and the multiplicity of it, and the facets of it. This is about being a complex human being in the world, not about finding a villain. This is no time for anything else than the best that you've got.

Along with the idea of romantic love, she was introduced to another--physical beauty. Probably the most destructive ideas in the history of human thought. Both originated in envy, thrived in insecurity, and ended in disillusion.

It's gonna hurt, now," said Amy. "anything dead coming back to life hurts.

These and other inanimate things she saw and experienced. They were real to her. She knew them. They were the codes and touchstones of the world, capable of translation and possession. She owned the crack that made her stumble; she owned the clumps of dandelions whose white heads, last fall, she had blown away; whose yellow heads, this fall, she peered into. And owning them made her part of the world, and the world a part of her.

To Sethe, the future was a matter of keeping the past at bay.

Daily life took as much as she had. The future was sunset; the past something to leave behind. And if it didn't stay behind, well, you might have to stomp it out.

Listen. baby, people do funny things. Specially us. The cards are stacked against us and just trying to stay in the game, stay alive and in the game, makes us do funny things. Things we can't help. Things that make us hurt one another. We don't even know why. But look here, don't carry it inside and don't give it to nobody else. Try to understand it, but if you can't just forget it and keep yourself strong, man.

You got a life? Live it! Live the motherfuckin' life!

Después hizo algo mágico: levantó las piernas y los pies de Sethe y los masajeó hasta que lloró lágrimas saladas. -Ahora te dolerá -dijo Amy-. Siempre que lo muerto vuelve a la vida, duele.