2 Quotes by Anaïs Duplan

I want to suggest performance as lived reality, the site of performance being located neither 'inside' nor 'outside,' but at a threshold, at the stage of one's skin.

does our relational language, already imbued with oppressive cultural meaning-making, necessarily preclude the possibility of speaking about freedom? How can you speak about freedom if you can't speak freely? Does the way that we talk about this problem make a difference in how we try to solve it? Does the question as I've phrased it fail to adequately exhaust the possibilities?