15 Quotes by Anne Helen Petersen
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- Author Anne Helen Petersen
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Serena’s body isn’t built to emulate the look of the model in an Ann Taylor shift dress. It’s built – through an exacting and grueling regimen – to decimate her opponents. And his suggestion that the body, too, is beautiful and sexy – in spite of, or even because of, its threat to the norms of white femininity – will continue to be threatening until the standards of beauty are decentered from those of the white upper class.
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The crafting of the face is a billion-dollar industry because there’s actually only one truly acceptable face to create: that of “the girl.” The girl’s face is always dewy, unblemished, and unwrinkled, her eyes bright, her forehead uncreased. “Womanly” hips and ass might be theoretically fetishized, but they’re desirable only when the rest of the body remains that of the girl.
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But unruliness – in its many manifestations, small and large, in action, in representation, in language – feels more important, more necessary, than ever.
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It’s one thing to be young, cherub-faced, straight woman doing and saying things that make people uncomfortable. It’s quite another – and far riskier – to do those same things in a body that is not white, straight, not slender, not young, or not American.
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It’s no wonder we have such mixed feelings about these women: they’re constant reminders of the chasm between what we think we believe and how we actually behave.
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Of course, there have been unruly women for as long as there have been boundaries of what constitutes ‘feminine’ behavior: women who, in some way, step outside the boundaries of good womanhood, who end up being labeled too fat, too loud, too slutty, too whatever characteristic women are supposed to keep under control.
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But that lie – whose purpose was to allow white people to continue to think they weren’t racist, even when their actions and words indicated otherwise – was one in which the Williams sisters, like their father, refused to participate. They rejected the idea that they would assimilate to the white codes of the tennis world. Instead, they posed the question of their difference over and over again – in every clack of their densely beaded hair, in every powerful serve.
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Put differently, the rhetoric of Williams’ different body isn’t just sexist – it’s profoundly racist.
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The Williams sisters had something else: each other, and their absolute dominance.
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