305 Quotes by Arthur Koestler

...the temptation, which consisted of a single word written on the cemetary of the defeated: Sleep.

The temptations of God were always more dangerous for mankind than those of Satan.

I have repeatedly stressed that the selfish impulses of man constitute a much less historic danger than his integrative tendencies. To put it in the simplest way: the individual who indulges in an excess of aggressive self-assertiveness incurs the penalties of society-he outlaws himself, he contracts out of the hierarchy. The true believer, on the other hand, becomes more closely knit into it; he enters the womb of his church, or party, or whatever the social holon to which he surrenders his identity.

The Régime did not want Communists; it wanted robots. It will take at least a generation to change them back into humans again.

When a person identifies himself with a group his critical faculties are diminished and his passions enhanced by a kind of emotive resonance. The individual is not a killer, the group is, and by identifying with it, the individual becomes one. This is the infernal dialect reflected in man's history.

Chemically induced hallucinations, delusions and raptures may be frightening or wonderfully gratifying; in either case they are in the nature of confidence tricks played on one's own nervous system.

Somebody once asked Niels Bohr why he had a horseshoe hanging above the front door of his house. Surely you, a world famous physicist, can't really believe that hanging a horseshoe above your door brings you luck? Of course not, Bohr replied, but I have been reliably informed that it will bring me luck whether I believe in it or not.

The inner defenses are unconscious. They consist of a kind of magic aura which the mind builds around cherished belief. Arguments which penetrate into the magic aura are not dealt with rationally but by a specific type of pseudo-reasoning. Absurdities and contradictions are made acceptable by specious rationalizations.

The Revolutionary's Utopia, which in appearance represents a complete break with the past, is always modeled on some image of the Lost Paradise, of a legendary Golden Age... All utopias are fed from the source of mythology; the social engineers' blueprints are merely revised editions of the ancient text.