5 Quotes by Ebony Elizabeth Thomas

The traditional purpose of darkness in the fantastic is to disturb, to unsettle, to cause unrest. This primal fear of darkness and Dark Others is so deeply rooted in Western myth that it is nearly impossible to find its origin... No matter what the reasons were for the way our culture came to view all things dark in the past, the consequences have been a nameless and lingering fear of dark people in the present.

Maybe it’s not that kids and teens of color and other marginalized and minoritized young people don’t like to read. Maybe the real issue is that many adults haven’t thought very much about the radicalized mirrors, windows, and doors that are in the books we offer them to read, in the television and movies we invite them to view, and in the fan communities we entice them to play in.

Words matter, and the fantastic has multiple resonant connotations. The fantastic captures the wonder of stepping into a world-that-never-was, and immersing yourself in it in a way that speculative fiction does not.

The trouble with colorblind ideologies in text and culture is that by not noticing race, writers and other creatives do the work of encoding it as taboo. While silence and evasion around race in dystopian science fiction is 'understood to be a graceful, even generous, liberal gesture', implying the inevitability of a postracial future, this silence also has the effect of confusing readers.

The affordances of the first person perspective for audience engagement also create a significant challenge in that the Dark Other is always focalized through a White protagonist's eyes.