407 Quotes by Elena Ferrante

I felt a sensation that later in my life was often repeated: the joy of the new.

Ahead of us were many hours when no one in our families would look for us. When I think of the pleasure of being free, I think of the start of that day, of coming out of the tunnel and finding ourselves on a road that went straight as far as the eye could see, the road that, according to what Rino had told Lila, if you got to the end arrived at the sea. I felt joyfully open to the unknown.

The problem is that real change takes a long time, while life hits us right away, now, with all its contradictions.

Perhaps Lila was right: my book—even though it was having so much success—really was bad, and this was because it was well organized, because it was written with obsessive care, because I hadn’t been able to imitate the disjointed, unaesthetic, illogical, shapeless banality of things.

...but I was bored, I could scarcely understand them. I started to borrow novels from the circulating library, and read one after the other. But in the long run they didn't help. They presented intense lives, profound conversations, a phantom reality more appealing than my real life. So, in order to feel as if I were not real, I sometimes went...

The ‘right reading’ is an invention of academics and critics. Every reader gets from the book he is reading nothing else but his book. The shelves where we line up the volumes we’ve read are deceptive. We have available there only titles, covers, pages. But the books we’ve truly read are phantoms conjured up by reading with no rules.

On the page was exactly what I had written, but it was clearer, more immediate. The erasures, the transpositions, the small additions, and, in some way, her handwriting itself gave me the impression that I had escaped from myself and now was running a hundred paces ahead with an energy and also a harmony that the person left behind didn't know she had.

I think of writing now as a long, tiring, pleasant seduction. The stories that you tell, the words that you use and refine, the characters you try to give life to are merely tools with which you circle around the elusive, unnamed, shapeless thing that belongs to you alone, and which nevertheless is a sort of key to all the doors, the real reason that you spend so much of your life sitting at a table tapping away, filling pages.

It was an old fear, a fear that has never left me: the fear that, in losing pieces of her life, mine lost intensity and importance. And the fact that she didn’t answer emphasized that preoccupation. However hard I tried in my letters to communicate the privilege of the days in Ischia, my river of words and her silence seemed to demonstrate that my life was splendid but uneventful, which left me time to write to her every day, while hers was dark but full.