361 Quotes by Jennifer Egan

I don't know what happened to me," he said, shaking his head. "I honestly don't." ... "You grew up, Alex.

Soiled, forgotten coats of arms were carved above their massive doorways, and these unsettled Ted: such universal, defining symbols made meaningless by nothing more than time.

I get to know a lot of people. But it never really lasts.

He had to find her. But where? Ted deliberated this question while downing three espressos in the hotel lobby, letting the caffeine and vodka greet in his brain like fighting fish. Where to look for Sasha in this sprawling, malodorous city? He reviewed the strategies he'd already failed to execute: approaching dissolute kids at the train station and youth hostels, but no, no. He'd waited too long for any of that." (p. 224)

And it may be that a crowd at a particular moment of history creates the object to justify its gathering, as it did at the first Human Be-In and Monterey Pop and Woodstock. Or it may be that two generations of war and surveillance had left people craving the embodiment of their own unease in the form of a lone, unsteady man on a slide guitar.

The pause makes you think the song will end. And then the song isn't really over, so you're relieved. But then the song does actually end, because every song ends, obviously, and THAT. TIME. THE. END. IS. FOR. REAL.

She was clean": no piercings, tattoos, or scarifications. All the kids were now. And who could blame them, Alex thought, after watching three generations of flaccid tattoos droop like moth-eaten upholstery over poorly stuffed biceps and saggy asses?

They resumed walking. Alex felt an ache in his eyes and throat. "I don't know what happened to me," he said, shaking his head. "I honestly don't."Bennie glanced at him, a middle-aged man with chaotic silver hair and thoughtful eyes. "You grew up, Alex," he said, "just like the rest of us.

And then I notice the music flooding out of every part of the apartment at once — the couch, the walls, even the floor — and I know Bennies alone in Lou’s studio, pouring music down around us. A minute ago it was “Don’t Let Me Down”. Then it was Blondie’s “Heart of Glass”. Now it’s Iggy Pop’s “The Passenger”. Listening, I think, You will never know how much I understand you.