36 Quotes by Michael Perry

Mom is a compulsive reader. She reads for pleasure, she reads to edify herself, but more often than not, she reads because she can't help it. I understand. The minute I find myself sitting still, I start rummaging around for printed material.p 97

There is this male tendency to believe that somehow the initial two weeks of snappy dressing, full eye contact, and best behavior will balance out thirty years of holey underwear, mumbling, and anatomic decline. It is one thing to be a work in progress, quite another to be a work in regress. Familiarity is no excuse for lowering your standards.- from Visiting Tom: A Man, a Highway, and the Road to Roughneck Grace

Imagine the wizened quality of a life blanched of contradiction and double standard.p 44

We talk about how he and Leanne are doing knowing full well there is no sufficient answer.p 294

But the sky...cumulonimbus clouds are stacked and banked to the stratosphere, and the lowering sun has bronzed and brassed and blushed them. these are clouds to make you long for wings. These are clouds that leave you not knowing what to believe. - - - Population 485 - Meeting your Neighbors One Siren at a Time

If forgetfulness were a sport, I’d have a shoe contract.-from Visiting Tom: A Man, a Highway, and the Road to Roughneck Grace

I stand beside Tom's barn and ponder the benign heedlessness of the people in the speeding cars, and here I am in the speeding car. In my heart I wish the bypass had never been built; in my car I never take the old way.

Over the years, I have developed a visceral reaction to families and victims expressing surprise at tragedy. Why are we surprised? Why do we forget we are mortal? Bad, bad things happen everywhere, every day. Humans, for better or worse, harbor this feeling that we - individually - are special. A patch of ice or a pea-sized blood clot makes a mockery of that illusion in a heartbeat. We are not special at all.

Her eyes are wide and steady beneath the brim of her floppy cap. How far out of infancy do we lose this gaze, with its utter absence of expectation or prejudice? What is it like to simply see what is before you, without the skew of context?p 342